
I hate to see people spoiling a good thing. The rare good thing in this culture I can appreciate, that's gets dumped on because it's not up to their standards of greatness. Keith Richards always said that everyone panned the current Stones album, saying it wasn't as good as the one five years earlier. He'd remind them that they hated that album too at the time. Orson Wells and Ed Wood had the same struggle in making films. Like Ray Charles, they all would be legends as soon as they turned into rock hard corpses. I seem to have to defend creative people all the time; explaining how they have to change and take chances to get to their next level. My views are usually drowned out by a chorus of the finicky yelling "hated it!!!" This year I've been taking bullets for Wes Anderson.
I loved The Life Aquatic more with each viewing and I was still noticing new things the fifth time. All of Anderson's elements were there: a great sound track, the perfectly realized world, the drum solo, the emotional rescues, and Bill friggin Murray. That's way more than most films have right there. I figure that Rushmore was a surprise, Royal Tenenbaums was a revelation, and now the ultra-hip crowd knows all of Anderson's tricks. The formula might run thin for some, but Life Aquatic affected me on a deep level. Steve Zissou might be a selfish, defensive, washed up joint smoking scallywag stumbling through a rough decade. Even though it's a semi-comedy, the failings of people who are all messed up inside resemble real people in my life way more than most movies. In Rushmore, Max flunks classes even though he's unconventionally talented. The Tenenbaum family all had early successes, then fell upon hard times. Zissou was a famous adventurer and now it's all going wrong. Every human makes mistakes and loses out eventually; this is rarely depicted in film so artfully and with such charm.
If you actually read the script, the Steve Zissou character seems to be in much more pain about his best friend being killed by a shark, marriage dissolving, and career ending.
For anyone who remembers Bill Murray's rendition of The Razor's Edge, there was the phenomenon of Bill acting serious scenes and the audience laughed out of habit. Personally I loved that Zissou was an aging curmudgeon explorer with a rag tag team with more guts than brains. I always found that Wes included very emotional exchanges that remind me of the serene conversations at a funeral. All the pretension and attitude melts away. Life seems limited to a few years and we console each other with each passing day. Rushmore had Max living by a cemetery, writing plays on the typewriter his deceased mother gave him. Royal Tenenbaum faked that he was dying to reconnect with his family. This wasn't much of a lie because he was going to die soon enough anyway. Zissou goes through the same stuff all men go through eventually.

It's true that Wes Anderson's characters want to recapture childhood enthusiasm and fascination. I think most people would admit that the summer seemed endless when you were eleven. Back then you can change what you want to be when you grew up from week to week. When you find yourself a heart broken adult, it's common to reminisce about how you wanted to spend your life. At some point I wanted to drive a dragster, a funny car, a submarine, and fly a helicopter. Wes mines this to great effect; this subconscious landscape is rich with meaning. Just hearing an early Stones song can take you right back. I would think anyone who read National Geographic as a kid or watched TV specials of divers with it's cheesy casio score is amused by this film.

The Brazilian Bowie tunes are wonderful and when Devo's Gut Feeling played, it gave me shivers. Another perfect choice. Willem Defoe and Cate Blanchett were superb and Bill Murray is still one of the coolest guys ever. I'm so happy this film was made. Rushmore involved friends, Royal Tenenbaums was about a family, and Life Aquatic had a crew. Our species has always been flawed, gregarious, and lonely. This hipster backlash happens from time to time. When Tim Burton made Ed Wood, some asked, "why should I watch a movie about a freak who made bad movies?"
Because in my eyes, everyone in Hollywood are freaks who make bad movies. Ed Wood made movies so bad they became surreal. They had a madman's story, but at least he was functional. Not so strange that we couldn't relate to him. As far as Life Aquatic goes, I'm amazed how much I relate to Steve Zissou and his quest. It might not be your cup of tea though; each to his own. So watch the trailer and play with the collage machine.
Even animals take time out to play.
>}}:^})*> Sigur Rós - Starálfur hear the climatic song missing from the soundtrack
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